| Construction1895
 
  
  Glass negative showing foundation
 Property of DeYoung Fine Arts Museum, San Francisco
 (click here 
	for digitally restored version)
   
 This structure on the cliff's edge is sometimes identified as the remains of the 
Cliff House foundation.  While that hasn't been ruled
 out, it seems more reasonable that it was the support beams for a viewing 
platform build around 1910.  More info
here.
 
 
 
 "View north to construction, with framing mostly complete.  Seal Rock at 
left."
 Courtesy of Western Neighborhoods Project (link), 
original source Marilyn Blaisdell Collection, Isaiah West Taber
 
 
  
	 
 
  Cliff House nearing completion (WNPCHP)
 
	
		
			| The Cliff House was remodeled just 
			prior to the 1907 fire, so how do we know this is a photo of the 
			newly constructed Cliff House?
 John Hall (2/26/2018):   The stables to the north haven’t 
			been built yet. If this was the remodel the south end of the stables 
			would be in the picture.
 
 John Martini (2/26/2018):   sometime after 1900 at least 
			one of the arcade arches at the south end was glassed in (link), 
			and stack extensions added to the chimneys west of the tower.  
			I always look for those tall chimneys when organizing historic 
			photos of Ocean Beach and the CH. Visible for miles, they’re a handy 
			reference for categorizing early vs later photos of the Cliff House.
 |  Note stickers on windows, construction sign (lower right, enlarged here)
 
 
 
   
	
		
			| Architects Emil Lemme & Charles J. Colley 
	
		
			| 
		
			|  | Emil S Lemme (1863 – 1921), partner 
			of Colley in the construction of both the Sutro Bath and the Cliff 
			House. More info |  |  |  In 1895 (?) Sutro commissioned the architectural 
			team of Charles J Colley and Emil S Lemme to design the new Cliff 
			House; he had used them before, most notably on the Sutro Baths. In early August 1891, Sutro had advertised in the 
			San Francisco Chronicle inviting designs for his proposed bathing 
			establishment. He offered a “premium” of $500 to the winning design 
			and set a deadline for the end of the month. In a letter to his mentor Professor Ricker, Lemme 
			described how they won: 
				
					
						| “In the Sutro competition – being 
						an open one – we had to compete against 15 other 
						Architects, having but a month’s time. We only submitted 
						two sheets, one of which was reproduced in the paper I 
						sent, the other being the ground plans. The drawings 
						were only finished in black ink. I state this to compare 
						this with the drawings submitted by the others that I 
						have seen in Sutro’s office. They were elaborately 
						colored with exterior and interior perspectives. One 
						architect even sent his plans to Boston to have them 
						colored there and photoengraved…..Mr Sutro told us that 
						our plans came nearest to his requirements and showed 
						the most thought and study. He said he cared nothing for 
						fine pictures.” |  Sutro was likely an astute judge of a good design, 
			being a successful self-educated engineer and inventor. His wealth 
			came from the design and construction of the tunnels to drain the 
			Comstock silver mines – a feat that many considered to be 
			impossible. He was not afraid to go against the odds. Lemme went on to complete 150 or so working 
			drawings. Colley acted as the project superintendent and was the 
			main point of contact with Sutro.  Prior to the Sutro Baths, the team of Colley and 
			Lemme had won the competition for the Woodland City Hall & Fire 
			station in Yolo County, California in 1890. Sutro was by far their 
			most important client. Their partnership was relatively brief and 
			appears to have been dissolved by 1895. Both Colley and Lemme came from the Midwest: 
			Wisconsin and Iowa respectively: but had contrasting backgrounds. 
			Colley had worked his way up through the trades. Lemme was a 
			university-trained architect who had also studied structural 
			engineering; a rare breed in those days.  Researcher by: Desmond Smith
			
			desmo445@hotmail.com  |    
	
		
			| ...By July 1895 
construction was rapidly progressing. Immense loads of earth had been removed 
from the site and some twenty or more massive iron rods had been secured in the 
rock face with cement as supports for the structure's foundation. According to 
the San Francisco Call of July 10, 1895, the main building would be five stories 
high surmounted with spires and a tower twenty-seven feet square which was to 
serve as an observatory. Tourists could rise the eight floors from the basement 
to the top, some 200 feet above the ocean, by an elevator. The main floor, level 
with the road, would contain a large dining room, parlor, bar, and numerous 
private dining rooms, with necessary kitchens. The second floor would have about 
twenty private lunch rooms, as well as a large art gallery to exhibit many of 
the gems from Sutro's private collection. The third floor would provide a very 
complete photograph gallery, reception rooms, and parlors, with panoramic views 
of the shoreline from large circular windows. On the first floor below the road 
level, Sutro planned to reinstate a popular price concession area where tourists 
could lunch, buy shells from the curio man, and watch the seals, as was the 
custom in the old Cliff House. And in the basement the building's laundry, 
boilers, machinery, and rooms for employees would be installed. The furnishings 
for the rooms were going to be "elaborate and neat," and would provide the 
visitors with many settees and easy chairs in which to relax and enjoy the 
resort surroundings. Quotes from: 
"S.F. Morning Call," Dec. 27, 1894, p. 10 and July 10, 1895, p. 7; Cliff House, 
Bids, Offers, Contracts, 1894-96, Sutro Collection, Box 38, Misc. Payrolls and 
Bids, 1890-1907, Bancroft Library, Univ. of California, Berkeley, Cal.; "S.F. 
Morning Call," Dec. 31, 1894; "'Burning of the Cliff House' sold like Hot 
Cakes." "The Pony Express 21, No. 9, Feb. 1855, p. 2.) |  
   
  
 
  
	 The San Francisco Examiner - Jan 25 1895
 
    
  
	 The San Francisco Call - Jan 27 1895, p7
 
 
 
  
	 San Francisco Chronicle - Jan 27 1895
 
    
  
	 The San Francisco Examiner - Jan 27 1895, p16
 
 
 
  
	 San Francisco Chronicle - 13 Apr 1895
 "contractors are Campbell & Pettus"
 
    
  
	 The San Francisco call - May 13, 1895
 
    
  
	 The San Francisco Call - Jun 3 1895
 
    
  
	 San Francisco Call - 17 June 1895
 
    
  
	.jpg) SF Call - 25 June 1895
 
    
  
	 Cliff House, July 1895 "The Wasp" Magazine
 Illustration showing Cliff House under construction
 
    
  
	 The San Francisco Call, Wednesday, 10 
	July 1895,  pg 7
 
 
 
  
	 The San Francisco Call - Nov 25 1895
 
    
  
	 San Francisco Chronicle - Dec 20, 1895
 
    
  
	 San Francisco Chronicle - 29 Feb 1896
 
    
  
	 Cliff House Lighting
 The San Francisco Call - 24 May 1896
 
    
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